Ken's Brain Drain: live music

Saturday, August 09, 2014

Newport Jazz Festival 2014 Review

This years Newport Jazz Festival was a very wet affair, but that didn't keep Jazz fans from showing their love and devotion to this art form. Thousands endured the rainy weather to hear both classic jazz and modern new music. This year, the 60th anniversary of the Festival added a third day to the weekend schedule. It was a good thing they did, because the added Friday schedule was the driest day of the Festival. Here is my day-by-day review of the acts we caught during the Newport Jazz Festival. There were 43 shows scheduled over 3 days. We saw about 20. Below are the highlights of what we saw.

Jon Batiste Stay Human

Friday was a perfect sunny day for the outdoor concerts at Fort Adams Park. Hightlights for me were two modern big bands. Darcy James Argue Secret Society, and Miguel Zenon & The Identities Big Band. The former featured Darcy's "Steampunk Jazz" sound; industrial complex rhythm changes over lively horn arrangements. Miguel Zenon's large ensemble featured his regular quartet fronting a tightly arranged big band, playing compositions inspired by his Puerto Rican heritage. The day concluded for us with a rousing performance by Jon Batiste and Stay Human, evoking a New Orleans street band performance to the big Fort Stage. They had the crowd on their feet.

Pedro Martinez Group

Day two brought a deluge of rain. Usually one would be sampling the concerts, running between the three stages that are in Fort Adams State Park. But because of the heavy downpours, once you got a seat under a tent of one of the two smaller covered venues, you are best to stay put and enjoy the shows, keeping as dry as possible. We planted ourselves under the Quad Stage and heard great performances by Brian Blade Fellowship featuring his understated hymn inspired sound that had a folk music quality to it. SF Jazz Collective resurrected a "best of" set from its previous 6 albums. An outrageously awesome percussive Cuban band, Pedrito Martinez rocked the audience with its Latin beats. Late in the afternoon, the rain subsided enough to leave that tent and hear a tremendous set by the Kurt Rosenwinkel's New Quartet. The rain held off to venture to the open air large Fort Stage to hear Wynton Marsalis leading the Jazz at Lincoln Center Orchestra. We finished the day back under the Quad Stage Tent to hear Dave Holland and Prism. This band totally rocked out, with guitarist Robin Eubanks channeling Mahavishnu, Hendrix and Jimmy Page all at once.

Anat Cohen

Sunday, day three had more of the same weather issues, and once again we claimed our space under the Quad tent. The Cookers kicked it off with their all-star lineup of Billy Harper, Donald Harrison, Billy Hart, Cecil McBee and more. Just when I think I am growing tired of straight ahead classic jazz, I am blown away by how this music can swing so hard. Next up was Vijay Iyer's Septet. Vijay brought some modern new compositions and arrangements that ventured into avant garde, yet never lost its foundations. At one point, they broke into a very tight funky refrain that had everyone's head bobbing. That was followed by George Wein's All-Stars featuring Anat Cohen, Randy Brecker, Lew Tabakin and others. Again, the straight ahead jazz classics were kicked up a notch with heavy swing and virtuoso soloing. Gary Burton took the stage with his quartet featuring Julian Lage on guitar. No surprises here, just solid playing with that great bright sound coming from expertly executed vibes and guitar. We concluded our Newport Jazz experience at the Harbor Stage with Danillo Perez Panama 500 band. It was a laid back performance with Latin rhythms over the thoughtful improvisations by the creative Perez on piano and a harmonica soloist as well. Danillo's 3 year old son took the stage and actually played the Congas on the final piece delighting the crowd.

Despite the nasty weather, this Newport Jazz Festival was one of the best I've attended. The quality and variety of the music, the appreciation, devotion and the feeling of community shown by the jazz fans trumped any negativity that the weather brought on. It's great to see Newport Jazz Festival's founder George Wein, more than holding his own on piano at 88 yrs old, still active in organizing this historic festival for most of its 60 year existence.

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Wednesday, August 07, 2013

Newport Jazz Festival 2013

I have been covering the Newport Jazz Festival for WHUS FM for the last 5 years, and the 2013 festival is one of the best I've had the pleasure to attend.

Musically, the festival covered a wide range of jazz styles; fusion, latin, avant garde, funk, modern post-bop. So many of the artists were exploring new sounds. There was a lot of experimentation with electronics and effects creating interesting sonic textures. Rhythmically the music was moving away from bop and more towards progressive rock-fusion or "free" jazz. In general I felt that most of the musicians, young and old were taking the music beyond its reliance on traditional jazz constructs from the past.

Highlights at the festival for me were:

The Festival was themed as an 80th birthday celebration for Wayne Shorter. Herbie Hancock was his special guest. They played a duo performance before Shorter's quartet took over with a rousing somewhat avant-garde set. Wayne took a much more aggressive role in his playing than I had seen in his past performances with this group. Herbie took the stage again at the end of the set to share the piano with Danilo Perez in a 4 hands one piano accompaniment.

Terrence Blanchard with a surprise appearance by Herbie sitting in to play Footprints. Terrence's entire performance was memorable. It was a modern sound, with subtle electronic effects that provided sonic interest but did not overwhelm the music.

Chick Corea's new band was reminiscent his electric bands of the fusion era, with a bit of a latin feel, and based more on Chick's compositions and arrangements than the musicians pyrotechnics.

Jon Batiste brought the New Orleans feel to his music with a fresh modern sound. It combined R&B with straight ahead jazz chops. His use of the melodica added an interesting twist to his great performance.

Gregory Porter is an outstanding new vocal force in jazz. You can hear the influence of R&B and Gospel with his tremendous vocal chops. He has a talented jazz band that know how to swing hard to his tunes.

Guitarist David Gilmore was the final show we saw at the Festival. He had a great All-Star band with Miguel Zenon (sax), Jeff Tain Watts (dr), Christian McBride (b), Luis Perdermo (p) and Claudia Acuna (v). They played his Numerology suite, an hour long set that was smoking.

Other notable performances we saw: Marcus Miller, Mary Halverson, Robert Glasper Experiment, Eddie Palmieri Salsa Band, Bill Charlap w/Anat Cohen & Bob Wilber, Lew Tabakin, Joshua Redman, URI Big Band, Jim Hall, Hiromi, (and more).